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Features and requirements of freehand drawing

Information source: MCwXqsmNx

Zhou Tianqiu of the Ming Dynasty said: "The method of freehand brushwork is wonderful in painting skills, full of business, and irrespective of clumsiness." Sketching is the author's observation of natural forms, after refining, choosing, and even processing with forms, then Using concise pen and ink, write down the true feelings of the object in a comprehensive and complete way. So ask God to be like, the emphasis is on the word "God".

The meaning of the ancient people's request for freehand drawing was "between the seeming and the dissimilar". To be more specific, to achieve dissimilarity, we should focus on three aspects: divine, emotional, and fun. That is, the artistic conception must be high, the idea must be deep, and the composition must be new. And can be "one ten", "less wins more" is appropriate. To meet this requirement, we should work hard on training, generalization, and subtlety. Through practice, recognition, re-practice, and re-cognition, we constantly summarize and achieve unity of heart and hands. On the other hand, we should strive to enrich our own culture and deepen our accomplishments in various aspects, so that we can gradually reach perfection and reach a mature state.

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In terms of learning freehand flowers, it is better to start with gongbi first, and gradually to freehand. This method is consistent with the objective law of understanding things. The requirements for gongbi and freehand brushwork are different. There are two situations that need to be explained: long-term engaged in gongbi drawing, it is easy to fall into the trap of resemblance, emphasizing the image structure, and rigorous pen and ink. In the long-term engaged in freehand drawing writers, it is inevitable to relax and look similar. Although the pen and ink are smooth, it is difficult to achieve both physical and mental strength, and it also gives people a conceptual feeling. Therefore, in the learning process, the two are better interspersed with each other. Because the brushwork can help understand the object in detail, the freehand brushwork can expand the horizon in terms of charm. I usually draw fine brushes and appreciate freehand brushwork, which is good. Content that is suitable to be expressed with gongbi is painted, and content that is suitable to be expressed with freehand is painted.

Learning freehand flowers, the ancients started with Meilan bamboo chrysanthemum. It is feasible to start with these four kinds of flowers, but we must pay attention to sketching. Through sketching, we can better understand and master the ins and outs of various pen and ink techniques. At the same time, in these four kinds of flowers, the artistic performances include the main traditional techniques such as hook, dot, slap, rub, etc., so as to achieve the purpose of inferiority.

The ancients painted flowers with methods such as strokes, brushwork, bonelessness, and freehand brushwork. These expression methods should be learned and mastered through sketching, which is more appropriate. As long as we master the high level of ability to refine the image, whether it is sketched or boneless, we can achieve artistic realism and pure essence with pen or freehand. In short, the technique serves the content and should be flexibly applied according to the specific content.


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