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hg71865.com Some people do n’t understand the rhythm, but when writing poetry they have to break the constraints of the rhythm. What is the mentality?

Some people do n’t understand the rhythm, but when writing poetry they have to break the constraints of the rhythm. What is the mentality?

Information source: qgPxyKNk

A question was answered a few days ago: why are some people who do not understand the rhythm of poetry still say something positive? What is the mentality of breaking the constraints of the rhythm?

Foreword

Metrics are bound without errors. Poetry is originally a dance with shackles, but some of these "shackles" are tighter and looser.

Regarding the question of the subject, we can sort it out from three aspects, namely:

Do not understand, love or not.

Once you understand what you don't use, you know that there is no such thing as a broken rhythm.

First, use is free

The old style poems were all ancient style poems before Qiliang in the Northern and Southern Dynasties.

The metrical poetry originated from Qi Liang Yongming style. At that time, Shen Yue and other poets studied the application of four sounds and eight diseases in poetry creation. There are four tones, and even though the word "Pingji (called Pingbian in the Tang Dynasty)" does not appear much later, in the works of the Yongming poet, there is actually a difference in Pingji.

The four tones of Ping, Up, Go, and In were intentionally divided into two opposing sides of Ping and Ping, so the poet's favorite battle also increased Ping Ping's relative consciousness.

In previous battles, there was no concept of peace, for example, Xie Lingyun's "Upstairs to the Pool", almost every two sentences are battle, but pay attention to peace:

Latent charming charming posture, Feihong sounded far away. Xiaoxiao is ashamed, and Qichuan is deep. Jin Dezhi was clumsy, and he could not return to farmland. Lu Lu against the poor sea, lying down against the empty forest .....

In the period of Qiliang, such as Shen Yue's "Sad Tragedy" in the middle of the two couplets, they are: Pingping 仄 pingping 仄 vs. Zhongpingpingping, which is already a battle against the five-character poetry.

Tourism in the charming spring, charming tourists in the spring. Xu Guang-Dan-Chu Cai, and Lu-Xiao-Ningjin.

Shi 嘤 -qi-juvenile, qi-moving-chuping. Once the old country was blocked, thousands of miles passed.

The poet found that in one sentence, there was more beauty in rhyme, so the rulings of peace and relative confrontation gradually matured. Even in the late Northern and Southern Dynasties, completely standard metrical poetry appeared.

The Xincheng Anle Palace, a famous poet of the Southern Dynasty, is a five-character rule:


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